Error message

The page you requested does not exist. For your convenience, a search was performed using the query twitter more lists time borges variation triquarterly 25 translated norman thomas di giovanni E2 80 A6.

Page not found

Winter 1989/90
Page 211 from Issue 77 Salaam Salaam, to everyone, salaam, to the hand that holds and brandishes the rod, salaam, with my left hand on my rear for fear of the boot, a right-handed salaam, to the one who closely watches me, salaam, to the one who doesn& ...
Winter 1989/90
Page 212 from Issue 77 to the mouth that pours its verbiage into them, salaam, to the millions who wait and watch and listen and believe, salaam, to the master hypnotists who practice all their skills on them, salaam, salaam, dear friends, to everyone, sa ...
Winter 1989/90
Page 213 from Issue 77 to the haggard, lifelong wife, salaam, to the half-fed child in the half-shared room in a tenement slum, salaam, to the nameless, faceless throngs in buses and in trains, salaam, to the pest-infested grain, salaam, to the secret own ...
Winter 1989/90
Page 214 from Issue 77 and they will rough you up; call it a mob of touts and auction-clerks and mafia-men, and they will crack your skull; make fun of religion and politics, like this, and they will strip your wife and children: so, first of all, to this ...
Winter 1989/90
Page 221 from Issue 77 into Afghanistan. In the last ten years, the Khyber Pass has been an escape route for hundreds of thousands of refugees fleeing from the Russian occupation of Afghanistan. Of course, the Khyber Pass is not the only link between Cent ...
Winter 1989/90
Page 226 from Issue 77 arrival and departure, good and evil, success and failure, birth and death. The "message" of the poem is grim, or worse. But what is significant about it is that, even though it is cast in a poetic form (the dense, ...
Winter 1989/90
Page from Issue 77 Issue 77 page ...
Winter 1989/90
Page 231 from Issue 77 both of the civilizational function of the poetic kind of the artistic form of words (the structure of the human world which the structures of poetry reproduce), and of the form of life which poetic power produces in the poet, the s ...
Winter 1989/90
Page 234 from Issue 77 practice because of its function is situated in crisis at the edge or boundary of human being altogether, where the resistance of the nonhuman (both inside and outside the person) and its repressive descriptions of human being is op ...
Winter 1989/90
Page 235 from Issue 77 implicitly and inevitably a challenge to the hierarchies that maintain the universe. Further, the example of Marsyas, who lost the skin of his physical body, which constituted his recognizability as human, his body as the picture of ...

Pages