Page 236 from Issue 77 lence which that violence opposes. I now return to my account of Orpheus and Philomela, their complementary logic, who are our models or paradigms of the human resource —itself violent—which opposes the inhuman describer. Ill Orpheu ...

Page 239 from Issue 77 (systemic) violence which befalls the maker, destroying his human form (a form inconsistent with his function) —and he becomes, like the writ¬ ten word or a published poem that constructs the world, a talking head that is slow to di ...

Page 241 from Issue 77 Never harm Nor spell nor charm Come our lovely lady nigh. So good night, with lullaby. While Philomela, the raped and mutilated girl, sings, the lovers have permission of their bodies—as when Juliet awakes in bed with Romeo (Act III ...

Page 243 from Issue 77 "ruthless, vast and gloomy woods")-when, in short, the pattern becomes the fact—the pain of the paradigm becomes the pain of history and the competition for the description of the human world is lost to the energie ...

Page 248 from Issue 77 The Bees-became as Butterflies- The Butterflies—as Swans— Approached—and spurned the narrow Grass— And just the meanest Tunes That Nature murmured to herself To keep herself in Cheer— I took for Giants-practising Titanic Opera— The ...