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Page 256 from Issue 8

writers into the art of translation. Knowing the distance and value of the space between head and ... layer of highly educated people, many, if not most of whom were not aristocrats, who were continually ... critical talents were occupied this way for over twenty years. This is less so today, and sometimes it is ...
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Page 648 from Issue 63

history. I was not born into the American Protestant Majority. But I was never at all persuaded to view ... it as liberation, not as decline and fall. What has my Jewish history to do with Eliot's ... not intended to or does not end up repeating that mode), I wonder, however, whether you feel some of ...
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Page 2 from Issue 23-24

Art, therefore, will not suffer the lack of any such collective psychic impulses which make for the ... between avant garde art, bohemian life style, and radical politics, and more often than not these quite ... Page 2 from Issue 23-24 and solidarity. Trotsky saw art as the organic culmination of, rather than ...
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Page 13 from Issue vol6-no3

York or Chicago. But just as the great majority of nineteenth-century archi­ tects seemed to have lost ... basis. It was the engineers who first pointed the way that a new structural art might profitably take. ... Page 13 from Issue vol6-no3 nineteenth century quickly destroyed the remain­ ing vestiges of the ...
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Page 516 from Issue 107-108

Page 516 from Issue 107-108 TRIQUARTERLY point of view represents one side, the extreme side of an ... says Julian Barnes. "His decline could have something to do with hormones," says ... blame for his decline, the decades of the 80s and 90s, being "so hard-edged," as ...
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Page from Issue vol5-no2

Views expressed in the articles published are those of the authors and are not necessarily those of the ... Liberal Arts, Dean JAMES H. MC BURNEY of the School of Speech, Dr. WILLIAM B. WARTMAN of the School of ... postage will not be re­ turned. Except by invitation, contributors are limited to persons who have some ...
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Page 59 from Issue 1965-spring

to impart new expressive power to the poet's words. Because Tsvetaeva views art as a sacred ... lloHMaHHhIH na JleTY, Cepe6pHHhIH 6y6eHeQ BO pry. (11) The first line invests the name (which is not to say ... Page 59 from Issue 1965-spring Concern for the value and poetic potentiality or each word is also ...
Review

Crockett Johnson and Ruth Krauss by Philip Nel

Jessica Handler
granddaughter of a wealthy Baltimore furrier, became a self-proclaimed “artiste” in her twenties, after a bumpy ... career in high school, art school, and music conservatory. Intense and passionate, she once mixed “three ... hand at writing pulp novels, and declining to clue her mother in on their dire financial circumstances. ...
Interview

Linda McCarriston: Interview

Kathleen Tarr
a nonfiction writer, we can also view the telling as an information dump—too many facts piling up and not ... educational, political, literary, and intellectual histories, largely, but not solely, in the United States. ... a shaman’s question, but poetry is first and last the art of language. Language as heightened speech. All we ...
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Page 203 from Issue 16

apprenticeship, disguised as liberal education, has become the principal function of the university, the left ... the existing system should con­ fine their opposition to speech. But radicals do not have the right to ... interfere with the free speech of others, to shut down the classes of professors with whom they do not ...

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