frequently associated by critics and schol ars, because both derive from Theocritus, Idyll I, a lament for ... Poetry, tr. George. Radn6ti's last two eclogues are numbered 7 and 8, though no Sixth Eclogue ...
Berthold Biermann (New York: New Directions, 1949) 413. 9. Horace, Ars Poetica 295-98 and 408-18; Pindar, ... on Poetry (Cam bridge: Cambridge University Press, 1971) 329 and 394-95 for references to techne and ... Waiting Room" (TriQuarterly 81, Spring/Summer 1991) 177-78. 20. Ben Jonson, Complete Poetry, ed. ...
Danielle Burhop Tuesday, July 27, 2010 Review Three reviews of new books of poetry by Catie ... / as we peel away the layers and layers of girls.” The resultant mix is a poetry that is both ... tension for the reader in poems like “A Poem about Poetry by Miss Peach, Hobo/Provocateur,” where Miss ...
beauty. Emerson held that the ar chitect derives his forms from nature- that is, from natural structures ... the primary source of form in ar chitecture and that just as the form of an organ ism reveals its ...
larger pastoral contrast between the ar tificial ("the terrible dust of museums" [24]) ... distinction between the natural and the ar tificial by transforming the natural objects of the ...
Page 222 from Issue 86 21. Ars Poetica 23 (see n. 4 above). Simplex is literally ... Pausanias 9.29.4; and others otherwise; see Rosemary Harriott, Poetry and Criticism Before Plato (London: ... Methuen, 1969) 10-77 for a survey of the Muses' appearances in Greek poetry from Hesiod to Pindar, ...