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Page 38 from Issue 10

never had, to lay nostalgic grounds to be believed in. to take an equal place not in art. but in ... history of the 19th century novel might then be viewed as a series of masks or strategems compensating for ... dehumanization of art he deplored. To see the novel as a machine is, in itself, the basis for the discovery that ...
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Page 136 from Issue 97

to economic and political discrimination included not only the social stra­ ta who had not been able ... and the Party were not directly regulating literary production, it was subjected to political ... century were being staged and new plays with national­ istic messages were being commissioned. At the ...
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Page 26 from Issue 65

Page 26 from Issue 65 tunity, for us, to wallow by remote control in liberal guilt? One can admit ... nations­ especially the pull I've felt toward the art of Eastern Europe-has trou­ bled me. Why ... this fascination? By way of answer, I wouldn't rule out anything, not snobbery, not packaged ...
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Page 455 from Issue 23-24

applied his test of the value of an author- "the extent to which the author's work ... the principle that 'art not only expresses something, but it also does something." ... hands-would acknowledge. 11 With humor, one hardly needed Freud to see the purposefully-ironic value of its ...
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Page 40 from Issue vol5-no1

a million farm boys in the past century who saw the city, all in all, as a place of liberation from plow­ ... the little man seeks to decline the honor- an eviction notice plunging him back into the cold competi­ ... slavery. It seems simple-minded to say it, but what attracted people to cities in the first place was the ...
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Page 31 from Issue 137

Page 31 from Issue 137 liberal arts college on the Oregon coast and to write books on the pas­ ... toral tradition in twentieth-century Irish poetry. "Brother," Griffin answered Earl, ... educated" (be­ trayal number one), left Texas (two), and devoted his imagination to some misty, far-off ...
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Page 407 from Issue 26

as a "confusion of realms" efforts to make art an instrument of political purposes, ... their view of the artistic use of the imagination is identical to that expounded by Herbert Marcuse in ... An Essay on Liberation, who sees the "aesthetic ethos" as the prototype of the ...
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Page 8 from Issue 81

Spring/Summer 1991
but the standardiz­ ing pressures of the modern present. Art became, in their view, the last refuge of ... specific images, these artists were attempting to resist not just the dead weight of their Victorian past ... consumption. It can infuse art into the things of life; and it will.... " Commercial modernism, like ...
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Page 22 from Issue vol6-no2

in the Technological Insti­ tute, then transferred to Liberal Arts as a composition major. Two of our ... halloween when it hardens in forms. SYPHER MEETING We need not match our moods, my love, We need not laugh ... last summer session. Wolf, a Chicagoan, is major­ ing in the teaching of English. He's ...
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Page 495 from Issue 69

Liberation of Mozambique FUBA-Federated Union of Black Arts ICU- Industrial and Commercial Workers' ... Association of Chambers of Commerce of South Africa CAP- Community Arts Project CN A- Central News Agency ... Union MAWU-Metal and Allied Workers' Union MDALI-Music Drama Arts and Literature Institute ...

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