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Page 163 from Issue 33

evening he had dinner with Daisy, were you yourself under the influence of kif? Bowles: No. The whole book ... gave me a much longer breath. Halpern: Are you in the habit of using kifin order to write? Bowles: No, ... I don't think that would be possible. When I was writing Up Above the World I smoked when I felt like it, ...
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Page 196 from Issue 85

Don't worry yourself, the woman always ends up on the losing end. When she lets herself. I can imagine ... Page 196 from Issue 85- Forgive me! Don't you see it was me who stuck you back in this ... bog? The least I can do is build you a house. What didn't I put over on her when I first ...
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Page 166 from Issue 33

They're the norm. I don't think I could write about a character who struck me as eccentric, whose ... these characters are your way of protesting. Bowles: If you call it protest. If even a handful of people ... Critics often label you an existential writer. Do you consider yourself an existentialist? Bowles: No! ...
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Page 213 from Issue 42

tum to look at her. Her eyes are wide and blueblack. Between her slightly parted wet lips the white ... can of beer resting between your legs which you have been now and then sipping. Now you take a long, ... long icy pull, then roll the can around on your forehead. When you return the can to your crotch its ...
Interview

Breaking Into Prison: An Interview with Prison Educator Laura Bates

Cheryl Reed
sentences). And you are there because you feel like you are doing something good. You are changing their lives ... appreciation. And you are going to get the best people in the program if they are there because they want to be ... ’t think it works that well when it is 100 percent altruistic and you are there completely to give to the ...
Craft Essay

Creating Subtext in Personal Narrative

Richard Terrill
emphasize: I don’t think we can write or teach writing with these things in mind. That would make us crazy. ... on the theme of suddenly finding yourself at middle age and less perhaps about memories that are more ... listener (or the musicians) from those it has for the newlyweds. How are these songs going to sound decades ...
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Page 95 from Issue 80

sometimes think you young folks just go to those civil-rights marches and meetings for social ... Page 95 from Issue 80 "What for? You ain't hard of hearing. Beside, ... important phone call, Uncle Charles?" "Are you going to give up going on that march ...
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Page 197 from Issue 45

at it, Eddie, you're at a point now where we can talk about these things, don't you ... there. The shrinks RQ-d for close-up information and what I think you just reported should present a fine ... not the choice you have. You fought for your country-now to hell with the country, fight for yourself ...
Interview

At the Junction of Loss and Love: Lilly Dancyger’s Negative Space

Lilly Dancyger
Laura Joyce-Hubbard
that regard, do you think that your journalism training came into those interviews? LD: I think my ... together. TQ: I think I have this right, didn't this book take you a decade to write? LD: Yeah, 11 ... scenes in Negative Space are from your childhood. There's one where you're walking along with ...
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Page 121 from Issue 65

and recruiting students because, first of all, students are not my equals, but even more than that, ... "political material." I wonder to what extent you would define yourself as a political poet, a poet ... I'm trying to do: I'd like to be as eloquent as I can be because the language is so important ...

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