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No matter what you've done in the past, find the most appropriate narrator for every new thing you write.
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In this five-part TriQuarterly series, writers brainstorm creative ways for writers to make themselves unreliable narrators—with playful, conflicted, and imaginative results.
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"Am I willing to strip down? All the way? To show everything? Or am I not only too encumbered, too fleshy, too flawed, but also too vain? Too devoted to “voice”?" Part two of our five-essay series "The Naked I: The Exposed Voice of Nonfiction."
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But first, a poem. "What guilt, to see a bird in a building and rejoice a moment: vessel of the air I long to breath"
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"I found Whatever Is Contained Must Be Released while browsing in a feminist bookstore in Chicago and have since been unable to put it down."
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"You want to stop the car. To not proceed any further into the place you have been and the place you continue to go." Read "Directive," by Jennifer Raha.
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This business of voice. How to speak of it? It is a little like trying to write about blood. You’ve been taught that blood is of you, in you, but you can’t hear it unless you put your hands over your ears.
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Issue 146 contributors Ocean Vuong and Benjamin Goldberg have been selected for Best New Poets 2014! Read their poems here: http://bit.ly/WLEFgH
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@DianeMehta @JesseLKercheval Hey there! We consider full essays. Here's more info: https://t.co/vbPkuPMX5A
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Head's up--you've got till the end of the month to send us your CNF, poetry, and fiction! Our hardworking readers a… https://t.co/Ke9LhJf3WQ
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This week's #ThrowbackThursday comes from @DrStevie_Poetry. We published "Some Things We Carried" in 2017, but its… https://t.co/EMWwWzeesk
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RT @ShandersWrites: Just gonna call your attention to this story I had published in @TriQuarterlyMag in 2021. Once you’ve read “The Second…
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