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Page 200 from Issue 80 LEITERS accomplishes, to the letter, Barth's claim for it in his ... each of the eighty-eight letters, LEITERS constructs its epistolary ethos-its Stock-Liberal, ... disputes Alan Friedman's distinction between traditional novels and modern novels-not in the ...
things to think about, hein?" The spot of French jarred him out of it (a trick I often resorted ... of construction as the doors to them creaked open and there it was in full regal splendor declaiming ... and that, just when he thought he had me in his narrative clutches for the rest of the morning. ...
ideas, to show a shift in thinking.” An essay, at its heart, is an exploration of truth, a straddling of ... its narrative counterpart, the personal essay, in three ways. Like a poem, the lyric essay might have ... essay, in section 8: “‘We love to contemplate blue, not because it advances to us, but because it draws ...
year of its construction, perhaps forty thousand laborers were working on the site; all, it seems, ... indeed its pace increases, and the quanti­ ties of stone shifted, the provisions and furnishings crafted ... Then-curiously-the work of the construction, the physical details of it, disappear from the text, as if the decree of ...
this, I think, “Why isn’t it about a national failure? Why isn’t it simply unacceptable injustice for ... not toward particular individuals. This book was about representing experiences honestly. It was ... already exists in experience. You know it to be true. Schwartz: Citizen is not a linear narrative ...
widely and often are crafted from non-dramatic literary modes. Adapt­ ing works of narrative fiction for ... the stage, it is suggested, is a matter of excavation, of editing, of removing everything that is not ... a play so that what's left, probably most of it dialogue, can be "bodied ...
first long essay I published, ostensibly a travel narrative about the Four Corners area and the ruins of ... I start to write about it. I am writing a first-person narrative as a participant, as the I, but ... book. It’s not enough for me to show the narrator strolling across karst topography and witnessing mass ...
its standard length of an hour and a half, its desire to narrate a plot, its stars, the construction ... desperation, the camera must wander around looking for something not wholly irrelevant to look at. It would be ... screen. Many films constructed around an arma­ ture of conversation need not be seen at all; one can ...
similarities between their narration styles. I began to think about what this suggested about the possibilities ... Elizabeth Kadetsky Tuesday, May 28, 2013 Craft Essay If creative nonfictionists build a persona, ... in his 1923 novel Confessions of Zeno. “I can see it”—Svevo wrote of his “thinking”—“it rises and ...
motives for telling the story be a part of it? I don't know. Maybe they can't. But if ... I am to get it told at all, apparently, I must also talk about my own why. A more experienced writer ... narrative craft, shall go ahead as I feel compelled to do, letting the motive-naming fall less on the ...

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