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Page 62 from Issue 129

a sixteen-year­ old daughter who was a good artist. "Don't you think it's kind of ... inoperable, so now I don't worry anymore like I used to, and I just have fun. Why are you looking at ... Page 62 from Issue 129 on her high, you wondered jealously? You began thinking dark thoughts ...
Interview

M. G. Stephens: Interview

Mark Rentfro
about an e-book is that you can just do it yourself. You don’t even need a publisher, because they’re ... creative writing now. I’m not saying that’s true in MFA programs, but I think because there are so many, ... way you can go, so in the moment when you’re performing, you can choose from any of those scenarios. ...
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Page 528 from Issue 107-108

Drabble:... I have been thinking much of Lawrence lately, partly because I am working on a novel which goes ... disappeared from sight. Why? Because the mood of the 80s and 90s has been so hard-edged, so ... out of favor in the universities. How do you know this? Have you tried to teach Women in Love to ...
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Page 134 from Issue 1965-spring

spirit. "Don't think I'm going to give it to you." The old man bent ... any, you drunk it all today yourself!" "You give it to me! Give me vodka, ... gone," the old man said glumly, thoughtfully. "My knees hurt. Can't walk. My thighs are ...
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Page 257 from Issue 80

Page 257 from Issue 80 Moss's poems maintain a quiet, plain eloquence, with neither ... Myself," he intimates in biblical undertones his keenest wish: to speak for many, just as his ashes are ... wrote, not he loves and he writes. It took so much pain for those "S"'s to fly ...
Interview

On Language, Power, and Simply Making the Visible Visible: An Interview with Tash Aw

Min Li Chan
Tash Aw
of pain of separation (Edward Said) that can color your work without you realising it. I don ... alone. If you want to get rich, you can. If you didn’t get a good job, it’s because you didn’t work hard ... meaning of these expressions can be inferred by any reader. How did you think through the calculus of ...
Interview

I'm Not Interested in Mastery: An Interview with Lara Mimosa Montes

Tyler Barton
Lara Mimosa Montes
Research is part of the procedural, as is editing, but I don’t know that I experience those modes as ... are different means of accessing the present. However, I don’t think of writing the present as some ... this summer to see if I could learn how a work this resistant to form and genre and (as you can by now ...
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Page 126 from Issue 80

Page 126 from Issue 80 traveler from the nineteenth century is assured that this problem has been ... solved and that novels written in the utopian future are supremely interesting without conflict or plot; ... but we are given no sample. iii: Lessons from Tolstoy Tolstoy arrived at a number of fascinating ...
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Page 111 from Issue 19

Don't encourage a man to love himself more than he already does. Do what you can to impress upon him the ... there are individual mistakes. Since the whole of life is a folly the best we can do is to com­ mit it. ... September 23rd, 1958 I would, if my suggestions do not irk you, because you know how to print and bind ...
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Page 538 from Issue 107-108

better. As simple as those are, I think they make a lot of sense. You have to write to satisfy yourself ... you're going to write for yourself. When I write, I think about people who I've worked with in ... it. That's about as big as the audience gets for me, because you can't know all ...

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